My Art from Inktober 2023 (Part One)

 In the previous two Inktobers (2022, and 2021) I mostly did colored drawings, but this time around I wanted to focus on line work and on characters. So, the goal for these Inktober pieces is to draw characters (my original ones, my versions of pre-existing characters, or merely ones I like from movies and TV shows). 

Like the previous years, it will be divided up into three parts with ten drawings for the first two, and eleven at the end. 

Here's the official prompt list: 

And let's begin: 

Day #1 Dream. Felix Moore from Dolls of Wax, Eyes of Glass. 

The drawing was inspired by this quote from Shakespeare's Macbeth:  

"Out, out, brief candle!

Life's but a walking shadow, a poor player,

That struts and frets his hour upon the stage,

And then is heard no more. It is a tale

Told by an idiot, full of sound and fury,

Signifying nothing."

      One thing I haven't mentioned about Felix Moore is his philosophical belief 

that nothing is real, and that life is merely a dream and nothing more. This emerged 

during the second draft and has been an important trait to his character. 

Day #2 Spider. The Wax Witch (from Dolls of Wax, Eyes of Glass) despite having the ability to steal souls has a fear which she cannot get away from: spiders. This is assumed to be left over from when she was human. And since she is an old building this is a rather unfortunate fear to have, for there will be spiders in an abandoned building such as that.  

Day #3 Path. Fiáina the goddess of nature. My idea with this image is that a mortal came across her when she was out hunting. She is slowly approaching them, in her domain (the woods). 

In between the trees is an altar to a minor god, with jewelry and flowers placed on it as an offering. 

Day #4 Dodge. Salissah. Given that she is a goddess of the moon in an endless battle across the sky with the sun god, I figured I would draw her dodging an attack. 

Day #5 Map. It's been a while since I worked on this story (and I don't know what my plans are for it yet) but this is my version of Ichabod Crane from a Sleepy Hollow story I want to go back to. I imagine that this is when he arrives at Sleepy Hollow and is rather lost. 

As for what is hanging out of his pocket (since it might be difficult to see), is a rabbit's foot charm. And since it's been a while since I drew Ichabod, I decided to give him a little redesign and give him glasses. 

Day #6 Golden. Cecile (Ferdinand's wife) from The Haunted Sketchbook. I often describe her as having golden hair, so I thought she was a fitting character to draw for this prompt.  

Day #7 Drip. I decided to do a Dungeons and Dragons inspired tavern for this one, with the tavern owner in the background (so not quite character focused, but I still wanted a character present). The dripping is from the drinks on the table. 

Day #8 Toad. this is a drawing for my dad (who is helping me edit this post 😉).  Since in one of my drawings of a frog, he pointed out that it looked like Hypnotoad from Futurama. So this is a drawing of Leela and Hynotoad in my style, rather than trying to copy the style of the show. 

Day #9 Bounce. Skunk Girl in the middle of a battle bouncing

(probably preparing an attack). 

Day #10 Fortune. I started with the Moores so I figured I'd end this part with the Moores. I decided to draw Matilda Moore reading Tarot cards, looking into her future perhaps or trying to find answers to a problem in her life through them. Matilda has an interest in Spiritualism and the occult (like with Felix, this emerged during the second draft), so I figured I would bring that out in the drawing. 

---------------------------------------------------------------------------------------------------------------------------------Which drawing is your favorite? Which characters of mine would you like to see me draw in future installments? 

-Quinley

Writing Reflections

   I thought I would do a writing updates post, since it's been a while since I did one and I have a lot of thoughts about the projects I am currently working on.  

                       

                       What I'm Working on 

Dolls of Wax, Eyes of Glass

 

Last month, I started working on Dolls of Wax, Eyes of Glass again. I had previously paused for research, which I have now partially finished. (I still have to research the spiritualist movement, which I need for Matilda's portion of the story.) Some of the research I did involved reading Beckett's trilogy, since there was an aspect of the trilogy that I felt would work in Felix's narration. In the time that I was drafting, I got a satisfying partial draft of Felix's part done, so I will feel good about coming back to finish it in a few months. 

As I was writing the draft, a singer I like released a song that reminds me a lot of my story, and it was helpful for writing a scene involving the Wax Witch. The song itself is about a folk figure, Black Annis, who is a blue hag that eats human flesh. She is not exactly like the Wax Witch, but some of the lyrics reminded me of her. 

It feels good to get back into this story, since I realize I tend to miss characters if I don't write about them for a while.  

The Haunted Sketchbook

In The Haunted Sketchbook I figured out a problem I was having with Edith's narrative, which will make it much easier to do the second draft. Earlier, I had been trying to adhere to a certain formula (from a M.R. James ghost story), and that constrained the story too much. So, I will let the story move outside of this formula and become what it wants to be.  In this way, I figured out that I want a combination of a murder mystery and a ghost story but not in the formula of either: merely using elements of both genres. 

I also discovered a similarity between Ferdinand and Macbeth. While it is not a perfect resemblance, Ferdinand's motives (for doing what he may or may not have done) are similar to Macbeth's: ambition. However, he is in the art world instead of in the world of kings. The similarities between the motives has made it easier for me to understand Ferdinand as a character.  

The Heist of Dorian Gray 

I finished outlining The Heist of Dorian Gray. This is the first time that I've written a story involving heists, so I wanted to make sure that I had a basic idea of the structure of them. (However, I may change some things about the structure, since other genres are present in this story).

I watched The Great Train Robbery to get an idea of the heist structure, and it helped. 

Also, Ivy now has a character sheet which you can look at here. I still need to make ones for Ava and Alfred, but for now I have the three up. 

I then began writing the novel. I found that "zero drafting" (basically outlining and writing short scenes as exercises), helped clear things up, that otherwise might have caused awkward scenes in the first draft. I basically see zero drafting as throwing things at the wall, to see if they stick, if they don't that's fine, or if you miscommunicated a concept you get to clarify it in the 1st draft. (This then makes 2nd, 3rd, etc. drafting much easier, since then it isn't a mess of awkward scenes). 

The Mystery of the Body Thief 

(image from wiki commons, https://commons.wikimedia.org/wiki/File:Henry_Meynell_Rheam_-_The_Fairy_Wood.jpg)

In world-building recently, I have since changed what I call my elves. I now call them the Sídhe (pronounced like SHEE. This is the Irish word for "people of the fairy mound.") So, if you see me referring to them as that, don't be confused, because early drafts of my story had pointed to them being like Irish fairies. This will be a part of the update in the character sheets. I am also working on a short story set in that world (from the myth collection). I am working on editing and rewriting, and I plan to release it as a story introducing the world. Once it's published I will make an update post on that. 

Also in my world building, I figured out a division between the humans and Sídhe in terms of learning magic from the gods.This was inspired by the research I did for a paper I presented at a fantasy conference. Magic is less common among humans than among the Sídhe, and the humans who do have magic call themselves "fairy doctors." Magic is still a religious thing among humans, as it is among the Sídhe. But the Sídhe call those of their own kind who have magic from the gods, "devotees" or "priests/priestesses." 

And that's all I've been working on writing-wise. 

--------------------------------------------------------------------------------------------------------------------------------------What are you working on this September? Do you have a song that reminds you of your story and/or character? 

-Quinley 

I Finished the First Draft of The Haunted Sketchbook

 

On July 11th, I completed the first draft of The Haunted Sketchbook, I had worked on it long before Camp NaNoWriMo--for a couple months in fact. 17,000 words was about the right amount of words to get me to finish the first draft (which ended about 40,000 words in total).

                                                                              Synopsis-

Genre: Gothic | Historical Fiction 

The Haunted Sketchbook is set in two time periods. 

In the past, an artist by the name of Ferdinand Diggory is experiencing a haunting. He discovers that his sketchbook is cursed; whenever he draws in it, it will twist the sketch into something monstrous, and something he didn't draw. 

In the present, Edith Porter is trying to discover whether the haunting was truly real-- she wants to discover the truth, but will her curiosity lead her into more danger than it's worth?

                    What's Next for The Haunted Sketchbook? 

I am currently working on characters in preparation for the 2nd draft. I want to make sure that I know the characters well, as I did with the second draft of Dolls of Wax, Eyes of Glass, which helped move the story forward and also create new discoveries along the way. 

I have recently been doing what is called a "character sketch" for some of the characters in the story. Basically, the writer lays out traits of the characters and then describes them in different perspectives (third, first, and second person). That's what I did for Ferdinand Diggory, and it highlighted an aspect of the character I had not seen before. I am going to do the same for Edith and even Cecile, as this technique helped me discover in the past what I had missed with Felix Moore--what elements of his character were being overlooked. 

I am also thinking about the backstory that Ferdinand has and what the ghost and other mysterious figures motives are. Even if the reader does not know their true motives, it is important to the characters to figure it out, so their actions seem clear. 

I also hope to research 18th century England. My knowledge of the 18th century mostly comes from American history, so I want to expand that knowledge to England when writing this story. As I noted in my Camp NaNoWriMo post about the novel, it takes place in two different time periods. (That is Edith's telling of it is set in the Victorian era, and Ferdinand's in the 18th century). 

I am going to be writing the second draft soon, so these are all things to look out for. 

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If you're a writer, how do you develop your characters? If not, who are your favorite characters in Gothic fiction? 

-Quinley 

Announcing My July 2023 Project: The Haunted Sketchbook

 Greetings Adventurers, 

It's July's Camp NaNoWriMo, and I have a new project that I am working on. I am hoping to get a first draft done of this novel, sometime this summer. 

Synopsis

Genre: Gothic | Historical Fiction 

The Haunted Sketchbook is set in two time periods. 

In the past, an artist by the name of Ferdinand Diggory is experiencing a haunting. He discovers that his sketchbook is cursed; whenever he draws in it, it will twist the sketch into something monstrous, and something he didn't draw. 

In the present, Edith Porter is trying to discover whether the haunting was truly real-- she wants to discover the truth, but will her curiosity lead her into more danger than it's worth? 

The Tellers of the Tale 

There are other characters as well, including the ghost. However, for now I will introduce the two main characters. The other characters will be introduced later (though some, like Cecile, you have already met).

                                     Ferdinand Diggory 

            Ferdinand Diggory is a (formerly) respected artist from the 18th century. He paints portraits and genre paintings. He is currently dealing with a haunting, one that resides in his sketchbook, and he wants to figure out why the ghost is haunting him. 

                                         Edith Porter 

Edith is an art collector from the 19th century. She likes exploring mysteries of artists who died under mysterious circumstances and finds Ferdinand Diggory's story to be particularly fascinating. She wants to uncover if what happened to him was truly a haunting or something else entirely. 

              Playlist  

Here's a playlist of songs that remind me of The Haunted Sketchbook. If you don't have a Spotify account, here is the YouTube version. 

    

       Goals For This Camp 

My goal is to get a first draft done. I have the plot planned out for it, so I want to get the story written. 

My goal for this camp is to write 17,000 words. I hope that I can get a first draft done, so I can then work on refining the story in the second draft. 

I feel as if I know both main characters well, so I am looking forward to seeing where they take me on this journey through their story. So far, this project has caused me to research several things about the 18th century and the Victorian Era. In particular I did some research about different types of artwork and art collecting in those periods. 

 The Haunted Sketchbook (like Dolls of Wax, Eyes of Glass) came into being from a nightmare. A nightmare I had after my surgery inspired inspired key elements of the novel--the actual haunting and Cecile's being an actor. 

Edith as a character came later. She has some interesting thoughts of her own which I hope she shares. She is figuring out the mystery of what happened to Ferdinand. But she also has goals outside of him, since she is an art collector and he isn't the only artist she is interested in. At the moment Ferdinand is an artist that she is extensively researching.

Anyway, those are my plans for camp. If you're doing Camp NaNoWriMo, I hope you have a good time too. 

---------------------------------------------------------------------------------------------------------------------------------Are you doing anything fun this July? What do you like most about my novel? 

-Quinley 

Miscellaneous Drawings #9

Previous parts: #1, #2 #3, #4, #5, #6,#7, and #8. 

Hello everyone, 

I have some drawings I want to share, and I thought it was time to share them. 

I have some longer posts planned, which I will post later, but for now here is a drawing post: 

This is a drawing of Ophelia. I thought I would draw her smiling since I have a habit of not drawing my characters smiling. 

This is a drawing of my characters, Edith from The Haunted Sketchbook meeting Felix from Dolls of Wax, Eyes of Glass. 

Here is the Wax Witch staring at the moon. I was inspired to draw this after reading Hoffman's "The Sandman."

A drawing of Karleon I did in a celebration outfit based on this drawing I found. I remember making a drawing of the shield for Dragons' Province a while ago and including a blue-haired figure who looks oddly like Karleon 🤔 (with makeup and tattoos).

Here's the drawing in question. 

Here's a drawing of Salissah, I imagine her wearing this when adventuring with Karleon. 

I did some drawings of characters I made in the past for an old Percy Jackson fan fiction. 

Dorothy (top left)- the daughter of Hermes. 

Susan (top right)- Daughter of Hecate 

April (bottom)- Daughter of Aphrodite. 

--------------------------------------------------------------------------------------------------------------------------------Which drawing is your favorite? What stories have inspired you to create art? 

-Quinley 

Miscellaneous Drawings #8

                    

 Previous parts: #1, #2 #3, #4, #5, #6 and #7. 

Greetings adventurers. 

I have a lot of new drawings to share, so I thought it was time for another drawing post. I plan to do a Using Polls to Make Art post soon, also. 

                                                    

This was the first drawing I ever drew of the god of time. I like how it turned out. 

                                        

                                            

A still life drawing I did of a candle for an art class. 

I had a lot of fun figuring out how to draw the reflective surface. 

Here's a photo of candle that I was using as a reference. 

This is a drawing of Oberon, Arisias's father. I like how his hair and clothes turned out. 

Someone on NaNoWriMo suggested that I draw the Phantom from The Phantom of the Opera (the musical). So, here is my drawing of him. 

I thought I would draw Fiáina without the prosthetic arm. And I like how it turned out. 

So I drew her prosthetic arm wrong in previous drawings (in the February Faces Challenge and another post). But I got it right in the first drawing I ever drew of her. It's supposed to be her entire arm, not only hand and wrist. But I blame that on reading myths about the Norse god Tyr, who also lost a limb but instead of an arm, he lost his hand. That made me get confused when drawing Fiáina. 

These eyes, like the candle drawing, were also done for an art class, and I like how they turned out. They were fun to shade. 

Finally, here is a drawing I did of Ferdinand and Cecile from The Haunted Sketchbook. This was difficult to draw, but I like how it turned out. 

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Which drawing is your favorite? Do you like to draw still life drawings?

-Quinley