----------------------------------------------------------------------------------------------------------------------------------Did you relate to any of D.I. Time's answers? Have you ever been interviewed?
-Quinley
----------------------------------------------------------------------------------------------------------------------------------Did you relate to any of D.I. Time's answers? Have you ever been interviewed?
-Quinley
Greetings Travelers!
I thought it was time to do another drawing post, so here it is:
I decided this song deserved its own post, since it is one of my complete songs that I am really proud of. I wrote it for a songwriting guild; the prompt for it was to write a song inspired by a painting. So I ended up choosing, this painting as inspiration for it, it was of a sinking ship so my first thought was a siren song. While writing this song I was very much inspired by "My Jolly Sailor Bold" from Pirates of the Caribbean and "Arms of the Ocean" by Blackbriar.
In my process of creating the song, I decided that instead of using a background track with instruments, that sound effects of waves and thunder would be better suited for it-- as I wanted to capture the feeling that you're hearing this when you're in the ocean or traveling at sea, like the man and woman in the painting.
Lyric writing wise, I decided to focus on ocean related imaginary, such as poetic images related to sea foam, the waves, and the ocean itself. Since the song is being sung by a siren in the ocean, it would make sense for her to focus on ocean related imaginary. Also, when writing this song, I eventually had an idea for a character who now appears in my posts regularly: Oceana. She is the one who sings the song. I never really write songs from my perspective-- but instead from a character's perspective.
So, here is the song:
🎶 Lyrics 🎶
The waves grow stronger,
You can’t wait much longer,
The ocean is your home,
You long to dive into the silver foam,
And follow my voice,
You don’t really have a choice,
For the waves come crashing,
Upon your boat they come thrashing,
You can’t help but follow my voice,
You don’t have a choice,
Your sail you can barely now hoist.
The waves grow stronger,
You can’t wait much longer,
The ocean is your home,
You long to dive into the silver foam,
And follow my voice,
You don’t really have a choice,
Tales of sirens are often told,
The truth for you is about to unfold,
For you will find that beneath the sea,
Many souls become free.
The waves grow stronger,
You can’t wait much longer,
The ocean is your home,
You long to dive into the silver foam,
And follow my voice,
You don’t really have a choice,
The kingdom under the sea,
Of life’s obligations is free,
Many bodies have sunken down,
But they didn’t drown,
They grew scales,
And now are the creatures in many tales,
The waves grow stronger,
You can’t wait much longer,
The ocean is your home,
You long to dive into the silver foam,
And follow my voice,
You don’t really have a choice,
Just take a deep breathe,
And listen as you sink to my voice.
------------------------------------------------------------------------------------------------------------------------------What's your favorite lyric from my song? Do you have a favorite siren-inspired song?
-Quinley
Greetings Adventurers,
In July, I presented at a conference with the The Centre for the Fantasy and the Fantastic at the University of Glasgow, virtually. I could not attend in person due to the fact that I had a surgery (tonsil surgery if anyone is worried) and also because of other health reasons, but it was a fantastic experience that I wish to share with you, along with my paper and my experience writing it.
The conference was called Once and Future Fantasies playing on the title of the book, The Once and Future King by T.H. White, which is a retelling of the Arthurian legends. The Conference on the other hand was about the past and future of fantasy. So, here is my experience with the conference:
Writing the Paper-
I feel like I should mention this part before I talk about my experience with the conference itself. I first heard about Once and Future Fantasies through a request for papers from The Centre. And I decided to submit a proposal to them. Here is my proposal:
This paper will begin by looking at the theme of the Changeling Child in Celtic fairy tales. It will show the similarities between this theme and present-day dilemmas of parents of disabled children. It will demonstrate that there are parallels between the parents’ appeal to magic in fairy tales and the parents’ appeal to medicine in today’s world. In both contexts, parents call on special powers to “recover” the child that they expected to have. In spite of this, trying to recover the child can cause a disconnect between the parents and the child, because it communicates that they do not love the child as they are, and that the child needs to be “fixed.” As someone who is disabled, I find researching and analyzing this analogy between fairy magic and Western medicine to be interesting. In Folklore, a parent gives birth to a child; the child is not what the parent expected, and it turns out their real child was replaced with a Changeling. The parent tries to return the changeling to the fairies in order to get their real child back: that is, the child they expected. In our modern-day world, a parent gives birth to a child; the child is not what the parent expected, and it turns out the child is disabled. The parent turns to Western medicine to find cures for the disability in order to get their “real” child back: that is, the child they expected. Comparing these two contexts helps to highlight the flaws in medical-centered “cures” for disabilities and in the thinking of parents and doctors about disabled children.
In the months after my proposal got accepted, I worked hard on my paper in order to get it to the point where it could be presentable. This required a lot of research and reading to find the sources I needed to get my points across. Though it was a lot of work, it was very fun because I got to read a lot of books I had not thought I would read before and I learned a lot while doing so. Some of the books I read were: Fairies: A Dangerous History; Disability, Deformity, and Disease in the Grimms' Fairy Tales; and a lot of Irish fairy tales and folk tales, as well as folk tales from other Celtic and European cultures.
When writing the paper, I talked about my own experiences with my disabilities as well as those of others, so this paper was pretty personal as well as academic.
I should say, for those looking to write a paper or essay for a conference, that like novel writing you will go through several drafts, and you will do a lot of research before you arrive at an end result you're happy about. (I had to read several books, some of which did not end up getting included in the final paper). I began writing in February, and didn't deliver the paper till July, so I had a lot of time to research and write.
The Paper and My Experience Presenting-
My paper was pre-recorded, so I spent time editing and recording it before the conference. To me it was really similar to the experiences I've had with recording my acting videos-- though a bit different since I was not in character. I was very happy with the end result. On the day of the conference, I had to wake up very early, but it was worth it. The video for my paper was just posted on The Centre for the Fantasy and the Fantastic's YouTube channel, so you can check it out:
Here are some ghostly spectres, who I think deserve a proper introduction, since I didn't really give them one before. I am working on my novel, Dolls of Wax, Eyes of Glass this month, and I thought getting into the spooky mood was appropriate. And also I must add, I may or may not have been influenced by Debra's post to be in a "Summerween" mood. 😉
Since this is part of a series (that I started in 2017), you can check out the other installments of it here. (It will be under the "Introducing Some Characters" section).
Here are the ghosts, the stories of these ghosts are not for the faint of heart:
The Solitary Violinist
The Solitary Violinist is a performer, who was murdered. She performs while waiting for her killer to come back, so she can make him dance to death. However, he has yet to return. Many people watch her perform from a distance and hear the sound of her violin playing next to the tree where she died.
She will often ask passersby, if they know where her killer went. The answer is important. For if you give the wrong answer (that is, if you answer "no" or "yes"), the ghost will be unhappy with you, because you will have either given her false hope or no hope. And you don't want to know what she will do--it is said many have met their demise or been lost forever in the woods. So, it is advised that you don't stop and listen to the music, and don't answer her question, but instead carry on as if you never heard it.
The "Painted" Devil
The Ghost Bride