Hello everyone,
His jacket is the color of the Hyacinth with looping designs, and the vest underneath repeats the movement of the wind designs accompanied by embroidered petals (as this wind brings Spring).
Hello everyone,
Click here to read part one.
It is currently taking me a little longer to do digital drawings of the rest of my Mermay art, than I anticipated. Instead of leaving you to wait or rushing what I was creating, I wanted to show the process that my art goes through to become digitized and introduce you to a character with one piece of art in particular...
I drew this mermaid and decided that I wanted to explore a character who found random objects at sea to use and wear. (In the picture above she is wearing a sewing needle in her hair like it is hair pin with the thread still attached.) This mermaid does not have a name yet, but I can see her as a character in a future short story. I do not know if she is interested in the human world in the way the Little Mermaid is, but my character certainly has enough of an interest to start a collection: books, broken dolls, and sewing materials, etc.....
Here is the video showing my process:
-Quinley
You can find the official prompt list for Mermay here.
I've known about Mermay for several years but for a long time never participated. I liked seeing people's mermaid art, but when May came around I tended to forget. However, this year I decided to finally participate. The drawings you will see started out as sketches (in my sketchbook), and then were turned into digital art afterwards. (In a post some other time, I may show the photos of the sketches).
Like my previous Inktober posts, this will be divided into parts. I do have Inktober art from last year, however, I will need to find the sketchbook I was using, before I can post all of it. But, I hope to post that art soon before next October.
Let's begin:
#1 Mirror, this was the first sketch I did for Mermay. I decided to draw a mermaid looking at herself in a mirror underwater.
Greetings Adventurers!
I have been sick (recovering from surgery) for the last few months, so that is why I have been absent from blogging. But, I intend to respond to comments that I missed and hope to get back on a posting schedule (eventually).
I have artwork to share: an embroidery piece I recently made.
I decided I wanted to create a tapestry-like scene with this large piece of fabric. And I wanted to have each individual section be a part of the scene. Here are the close-ups of the six different sections. I will let the images speak for themselves:
So, this post is a bit different than my other posts. It's a cross between a review and a question-oriented post. So let's begin.
I learned from other artists online that a recommended way to protect your art from A.I. is through a new program made by people at the University of Chicago. This program, which provides a mask for your art, is called "Glaze."
I was working on updating a character page, and just to see if I could get Glaze to work, I attempted to use it in three different ways. Unfortunately, the mask that it puts on my art ends up distorting it in ways that are obvious to me or just completely ruin the art.
To give you an example, here (above) is the unglazed drawing that I am using to demonstrate.
Now, here it is on Glaze's highest mask setting (most distorting). This one was put on the longer exporting setting compared to the other two (this one took about an hour and a half).
The other two I am going to show were set to the shortest exporting limit (twenty minutes):
I set this one (above) to the default setting, and it still made it look wrong. It ended up distorting the background, no longer making it smooth.
Lastly, with this drawing, even when I put it on the lowest possible setting, it still looks distorted texturally. The distortion is more seen in zooming in and in color difference than in distorting the whole image. It also has a tendency to remove the transparent background of an image, so if you want to mask a transparent image, it seems (but I could be wrong) that you have to do the transparent background part after you mask the image with Glaze.
If anyone who follows this blog uses Glaze to protect their art, do you have the same problems as me? Or is what I am running into going to happen always, since my art style tends to be flat in terms of shading?
-Quinley