Writing Reflections

   I thought I would do a writing updates post, since it's been a while since I did one and I have a lot of thoughts about the projects I am currently working on.  

                       

                       What I'm Working on 

Dolls of Wax, Eyes of Glass

 

Last month, I started working on Dolls of Wax, Eyes of Glass again. I had previously paused for research, which I have now partially finished. (I still have to research the spiritualist movement, which I need for Matilda's portion of the story.) Some of the research I did involved reading Beckett's trilogy, since there was an aspect of the trilogy that I felt would work in Felix's narration. In the time that I was drafting, I got a satisfying partial draft of Felix's part done, so I will feel good about coming back to finish it in a few months. 

As I was writing the draft, a singer I like released a song that reminds me a lot of my story, and it was helpful for writing a scene involving the Wax Witch. The song itself is about a folk figure, Black Annis, who is a blue hag that eats human flesh. She is not exactly like the Wax Witch, but some of the lyrics reminded me of her. 

It feels good to get back into this story, since I realize I tend to miss characters if I don't write about them for a while.  

The Haunted Sketchbook

In The Haunted Sketchbook I figured out a problem I was having with Edith's narrative, which will make it much easier to do the second draft. Earlier, I had been trying to adhere to a certain formula (from a M.R. James ghost story), and that constrained the story too much. So, I will let the story move outside of this formula and become what it wants to be.  In this way, I figured out that I want a combination of a murder mystery and a ghost story but not in the formula of either: merely using elements of both genres. 

I also discovered a similarity between Ferdinand and Macbeth. While it is not a perfect resemblance, Ferdinand's motives (for doing what he may or may not have done) are similar to Macbeth's: ambition. However, he is in the art world instead of in the world of kings. The similarities between the motives has made it easier for me to understand Ferdinand as a character.  

The Heist of Dorian Gray 

I finished outlining The Heist of Dorian Gray. This is the first time that I've written a story involving heists, so I wanted to make sure that I had a basic idea of the structure of them. (However, I may change some things about the structure, since other genres are present in this story).

I watched The Great Train Robbery to get an idea of the heist structure, and it helped. 

Also, Ivy now has a character sheet which you can look at here. I still need to make ones for Ava and Alfred, but for now I have the three up. 

I then began writing the novel. I found that "zero drafting" (basically outlining and writing short scenes as exercises), helped clear things up, that otherwise might have caused awkward scenes in the first draft. I basically see zero drafting as throwing things at the wall, to see if they stick, if they don't that's fine, or if you miscommunicated a concept you get to clarify it in the 1st draft. (This then makes 2nd, 3rd, etc. drafting much easier, since then it isn't a mess of awkward scenes). 

The Mystery of the Body Thief 

(image from wiki commons, https://commons.wikimedia.org/wiki/File:Henry_Meynell_Rheam_-_The_Fairy_Wood.jpg)

In world-building recently, I have since changed what I call my elves. I now call them the Sídhe (pronounced like SHEE. This is the Irish word for "people of the fairy mound.") So, if you see me referring to them as that, don't be confused, because early drafts of my story had pointed to them being like Irish fairies. This will be a part of the update in the character sheets. I am also working on a short story set in that world (from the myth collection). I am working on editing and rewriting, and I plan to release it as a story introducing the world. Once it's published I will make an update post on that. 

Also in my world building, I figured out a division between the humans and Sídhe in terms of learning magic from the gods.This was inspired by the research I did for a paper I presented at a fantasy conference. Magic is less common among humans than among the Sídhe, and the humans who do have magic call themselves "fairy doctors." Magic is still a religious thing among humans, as it is among the Sídhe. But the Sídhe call those of their own kind who have magic from the gods, "devotees" or "priests/priestesses." 

And that's all I've been working on writing-wise. 

--------------------------------------------------------------------------------------------------------------------------------------What are you working on this September? Do you have a song that reminds you of your story and/or character? 

-Quinley