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Monday, December 7, 2020

Using Polls to Create Art #1



I wasn't feeling well one day, so I did a whole lot of drawings in order to make myself feel a little better, and because of that I thought it would be fun to challenge myself and draw my characters in different styles or doing different things than they would normally do. This is a little bit like the post I did previously, except that I'm using pre-created characters and asking what they should be doing instead of creating a totally new character. 

Since NaNoWrimo has a thread dedicated to polls, I thought it would be fun to do polls that could produce drawing exercises for me. What I did was ask people to vote for which character I should draw, and then ask them what should happen in the drawing in a separate poll. 

And these drawings are what came out of it (unless I say otherwise all of these were majority votes): 


This is a drawing of Elm which I decided would be fun to draw in the Disney 2D animated style. 
I really like how it turned out. 

                
                         Since Annabelle detests dresses (for reasons that you will find out in the future), 
                  I thought it would be interesting to draw her wearing one that appeared in my book. 
                 Even though she really doesn't like it, I still like how it turned out.  


Phoenix in 2D animated drawing  style, this time mimicking that of Tangled the Series


This is a drawing of Elm using her powers which are her singing abilities. 
Her singing has magical attributes, which can cause the world around her
to dance, among other things. 


                                         **trigger warning: This drawing contains a bit of blood*
Since Halloween was soon...ish when I drew this, I had Detective Inspector Time investigating a creepy (and haunted) house. 

                                                           **end of trigger warning** 
This one was particularly hard because Annabelle is a morally gray character and turning her into a villain is difficult. Annabelle can be seen as either, and she is often seen as a threat by those around her. So instead of going full out evil villain, I turned her into an assassin instead.  She is a detective (in her story), so making her a murderer would be completely different. 

Even though this was not the majority vote, I decided to draw Phoenix as a villain anyway. Interestingly enough, everything he would wear as a villain would be raven-themed. And he would have fun being a villain. Also, for some reason I imagine him stroking a raven or crow like most villains would a cat. 

This drawing also helped me figure out what would cause Phoenix to go from a protagonist to an antagonist. 


Someone at one point thought it would be neat to see Annabelle in Steampunk clothes. 
So I ended up drawing her that way, even though it was not the top vote. And I have a feeling she would like the Steampunk outfit a lot better than she did the dress from earlier. 
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Which drawing is your favorite? What would your character(s) be like if they became a villain? 
-Quinley 

Sunday, November 15, 2020

I Finished the First Draft of The Mystery of the Body Thief!

 


I just finished The Mystery of the Body Thief's First Draft!! 

I had four different attempts in writing this series, before I came to one that actually worked. The previous attempts were: The Case of Confusion, The Mystery of the Stolen Crown, The Race Against Time and The Mystery of the Phantom of Dragonspire Court.

When I wrote The Mystery of the Body Thief I intended it at first to be the fifth book, but because the other books didn't end up working, it ended up being the first book. The Mystery of the Body Thief had the strongest plot and a coherent one, as well.  I believe this is the first successful mystery book I have ever written. However, in the first draft I sort of forgot to world-build, because I was much more focused on the mystery. So, just like any first story, it's not perfect. It can be improved through editing, rewriting, and world-building. (Which I will talk more about later, in this post).

During this NaNoWrimo,  I made the word count goal pretty high at first because I thought it would take a while to reach the end of the story. I ended up lowering the goal a bit, because otherwise I would have been forcing the story to go on for longer than it needed to be, and at that point I may have been just pouring out unneeded words. 

 Now onto what the story is about: 

                                               (Images from wikipedia, https://commons.wikimedia.org/wiki/Red_hair_in_art#/media/File:William_Strang_portrait_Cynthia_1917.jpg, 
Drawn to Writing , and Pexels and Pixabay). 

                               Synopsis

Genres: Fantasy | Murder Mystery with a bit of Adventure. Series: It is the first book in the Lady Annabelle Mystery Series. 

Horatio wakes up from being in a coma, but he doesn't remember anything that happened before he fell into unconsciousness. All that he remembers is a name, "Annabelle!" 

Also... Detective Inspector Time finds himself having to solve a case without Lady Annabelle.
Murders have been happening throughout many different kingdoms, and no one knows who exactly is behind it all. 

Go here and here to read the two other posts I made about this novel.   

                   Music for the world      

 

You can also listen to it here

Since I made a playlist/soundtrack of music I listened to while writing my story, I thought I would post the playlist. This is where I get some of the inspiration for the world that I am at the moment working on, and that will show up in my future posts. 😉

What's Next for The Mystery of the Body Thief

I'm going to be working on the second draft, which is mainly going to be focused on world-building as the first draft was more focused on the plot, than the world itself. And because of that I intend to share some of my world-building process in a new series for this blog, A Look Into a World. It will be focusing on how the society works, the religions of the world work, and how the magic works. (Though in this world the magic and the religions are tied closely together, because the gods give people magic). 

Also I gave two of my character's powers recently. I need to figure out more clearly what they actually do, and what gods they are connected to. (Basically who they'd be a devotee to). I also need to figure out Vonivera's powers, I know a little about them like she can turn invisible but I don't know much else. Vonivera was born with her powers, instead becoming a devotee to a god or goddess, while the other two characters have powers given to them from gods and goddesses. I also have a sorceresses character who I vaguely know the powers of, but I need to figure them out. 

I also need to get to know the other main characters, as I seemed to be more in Annabelle's and Horatio's heads, than anyone else's. So I want to get to know them better, I already know at least one of them well at this point and that is Annabelle's father Lord Oberon. But everyone else I hope to know better through second drafting. 

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What type of magic system(s) do you have in your Fantasy world(s)? And in First drafting did you ever forget to world-build? 

-Quinley 

Saturday, October 31, 2020

The Terrible Idea (Short Story rewrite)



Happy Halloween, everyone!

I first posted the story here back in 2017, now three years ago. It was very short, and the characters were still growing at that time. I didn't know that much about them, but now...

(2016/2017 version of Gletta)

Gletta went from being like Tauriel from The Hobbit to being a very Goth elf (she wears black armor that is really sharp, black eyeliner and lipstick, and has nose and lip piercings) with some elements of Tauriel remaining,
(2019/2020 version of her)

(Another drawing of the 2019/2020 version of her, though her face should be less thin) 

This is interesting because I don't know of any elves who are really Goth in Fantasy. As it turns out in my story, there is a sub-culture of Goth elves, which Gletta is a part of. She also became someone you probably wouldn't want to get into fight with (physical fight, not verbal fight)...at all, you would probably leave with a broken nose and possibly broken ribs.

(here is a progression shot of it) 

I am currently working on the personality of Mr. Short. At the moment, he is still very similar to Bilbo Baggins in terms of personality. So, I am still working on making his inner and outer character unique.

(2016/2017 version of him)
  As for Tirfendiel, he was never really like Thranduil by any means. He resembled Pippin more in terms of personality and is very clumsy for an elf. (Gletta also has come up with the theory that Tirfendiel is not an elf, but a very tall Halfling who lost the hair on his feet.) In the picture above I, for some reason, decided to make him look almost identical to Legolas. 



(2019/2020 version of him) 
 Tirfendiel now has black hair instead of blonde like his sister, but that was a smaller outer appearance change compared to Gletta. Also unlike the elves in Lord of the Rings and The Hobbit who have perfect hair, Tirfendiel usually has very messed up hair, which has leaves tangled in it. He repeatedly reminds Mr. Short that it is a myth that elves have perfect hair, and he doesn't know where Mr. Short came up with the idea.

I should say that before I began the story I took a little inspiration from this short film when rewriting "The Terrible Idea." And I also tried to add more aspects of Nordic culture into it, even if the characters themselves are not Norse but are from a Fantasy world with Nordic and Tolkien elements.

Shall we Begin the story?:

                                  The Terrible Idea 


Tirfendiel opened his eyes, blinked a few times, and stared upwards. There was nothing as far as his eye could see, only darkness, black engulfing darkness. He let out a long sigh and reached down for his sword. Finding it in the darkness was rather difficult. He touched the hard stone ground a few times before actually getting ahold of it. As he gently pulled it out, green light emerged. 


He groaned, Great! There must be some beast still around waiting to kill him in the midsts of the darkness. That's absolutely wonderful, he thought, and pulled his sword fully out. 


The green light shone around the carven, all he could see from the light of his sword were rocks. There were rocks of many different assortments, but even so rocks, no monsters, thankfully. That still didn’t explain why his sword was glowing, if there were no monsters around…strange, something must have happened to it, but what? He had never known there to be a time when swords glowed when no monsters were around, so then, it had to be that there still were…monsters. He looked around, and gulped he hoped none of them wanted to eat him. If they did he would, would…stab them! That was what he would do! Thump! 


Tirfendiel gulped and looked around. “W-who g-goes t-there?” he asked, his voice coming out more shaky than it meant to. “S-show y-yourself.” 


He realized after having said that, that telling someone in a dark cave to show themselves was very difficult if they didn’t have a torch. He hoped there would be a way to know who it was, without having something sneak up behind him. He had heard stories about creatures sneaking up on people in the dark, most of them ended quite horribly and in death. He clenched his hands more tightly around his sword and looked around in its dim light, hoping whatever it was would answer. 


“S-show y-your s-self, I-I…” he whimpered, “command you!” 


There came another thump within the darkness. 


“You know that logic only works if the person who you are commanding to show themselves has an torch or a sword—“ began a voice, which sounded surprisingly familiar. Tirfendiel walked hesitantly towards where the voice had come from...and slowly raised his sword, it was Gletta. Her long braided blonde hair hung over her shoulders, but it was tinted slightly by the green light of his sword. She was wearing her battered and spiky armor. 


“That’s really bright.” she muttered, putting her armored hand over her eyes. 


Tirfendiel let out a long sigh of relief, and moved his sword away.  “Thank goodness it’s you, and not some goblin or troll lurking in these caverns!” he said, still looking around and shining his light in any crook or cranny he could find. And then turning back to Gletta with his sword in hand, “for there might be one, perhaps, even behind you or me.” 


Gletta looked around. She walked around the small chamber as best as she could, tripping a few times here and there. As far as she could tell, there were no goblins in it, let alone rock giants or any cave dwelling creature you could imagine, perhaps a few very faint glow worms or two, but no goblins. 


“Tirfendiel.” she said. 


“Y-yes?” he said, clumsily dropping his sword on the ground with a loud thump. The sword flickered slightly but continued to glowed even brighter. He picked it back up and grasped onto it even more tightly than he had before. 


“Do you think…” she began, “..that something happened to your sword?” 


Tirfendiel looked over at her, something couldn’t be wrong with his sword, could it? He looked down at the sword, and it was still glowing uncomfortably, so perhaps there could be something wrong with it. But what exactly? He shook the sword, hoping that it would stop glowing but nothing happened...

 

“Tirfendiel! You are going to poke someone’s eye out if you shake your sword around like that!” said Gletta. 


Tirfendiel groaned and lowered the sword, “but you're the one who wears incredibly spiky armor, not me! So why do you critique my waving my sword around—“ 


“I don’t throw my armor around, that is why I am critiquing you.” she replied, and then looked around in the darkness, “anyway, at this point, I’ve decided your sword is broken.” She ran her fingers through her braided hair, which hung about her in a stiff manner. 


“How, do you know it’s broken?” he asked. 


“I know because I haven’t seen any goblins here, and besides this part of the cave is too small for any such gob—“ she began, but before she could even continue she heard screaming from deep inside the cave it echoed around, and seemed to be coming from every direction. 


“And how is that not a goblin?” asked Tirfendiel, hoping that it was, so he would have a chance to use his sword in a way that wasn’t merely a torch. 


Gletta groaned, “…it sounds more like a Halfing, a goblin’s cry would make your blood curdle….” She picked up her bow, and walked into the darkness towards the cry. She stood there for a moment and then looked over at Tirfendiel, who was standing there almost like a statue, not moving and not even making a sound. “Aren’t you coming?” she asked. 


“No.” 


“Why not?” she asked. 


“I would rather…stay here.”

 

“That’s not an excuse!” 


“Gletta! I have a strong desire to stay here.” 


“To be a coward?” 


“No— No, I’m not trying to be a coward, I just…would rather stay here…thank you very much.” 


“But you said you wanted to chase after a goblin!” 


“I changed my mind.” 


Gletta groaned, there was no use trying to argue with him, she had to go alone then, “but at least give me your sword.” 


Tirfendiel’s eyes widened as if in fear. He had a strong desire not to hand his sword over to his sister, but he decided to, and then quickly followed her, “…I sort of changed my mind again.” 


Gletta sighed, and grabbed onto her brother’s hand as they both walked deeper into the cave. While Tirfendiel muttered under his breath that if it was a goblin he would be very much prepared, Gletta cautiously investigated holding the sword in front of her, and the light soon fell upon a small figure huddled in a corner, who was whimpering rather loudly. She walked over to the figure, handing Tirfendiel the sword. She kneeled down to the figure’s height, and could see through the green light that the figure was not a goblin. Unlike what her brother ever so fearfully imagined, it was in fact a very lost Halfing.

 

“Mr. Short?” she asked, leaning closer to him. 


He looked up at her and into the green light, “If this is some spirit coming to taunt me—“ 


“If it was, I’m sure the spirit would taunt you with more than merely green light coming from my broken sword.” replied Tirfendiel, who moved the sword around in various ways, casting shadows on the rocks around them. This was meant to prove to Mr. Short that the light was coming from his sword, however he wasn’t sure how much of it Mr. Short actually understood. Mr. Short covered his face as the light seemed a little too bright for him, he glanced up at Tirfendiel and then at Gletta, “you could still easily be spirits—“ 


“Tirfendiel, do something else with your sword, you really aren’t helping—“ Gletta moved his hand down so the sword lit their faces in a much less blinding way. “See? We aren’t spirits, I'm Gletta and this is Tirfendiel, who should really learn how to control his sword.” Gletta than crossed her arms and stared down at the ground, hoping that Mr. Short would realize who they were and perhaps stop worrying about being taunted by spirits. 


Mr. Short looked at them, studied them for a moment, and then slowly ever so slowly stood up. He let out a sigh of relief. “Thank the gods, it is you!” he shouted, and then ran over to Gletta and tried to hug her. His attempt failed most miserably as her armor got in the way. He stood back, luckily only his one pinky finger had been wounded from touching the armor. 


Gletta let out a frustrated sigh and then turned to Tirfendiel, “Well, we found the halfling—“ 


“Who you nearly killed with your armor.” he replied. 


“I didn’t nearly kill him, he has to learn to control himself and not rush headlong into an elf wearing armor.” she replied. 


“If, he ever tries that again and gets killed, I'd hate to write the letter home, ‘Dear Mother and Father, Gletta accidentally killed the halfling with her own armor—‘“ 


“You do know I can hear you, don’t you?” asked the voice of a very worried Mr. Short. Gletta looked over and groaned, Tirfendiel looked over at Gletta they shared a look of deep concern.

 

“I can't believe you made me say that out loud. That is going to deter him from the quest.” she muttered.


“I didn’t—“ began Tirfendiel, but his protests were not noticed as Gletta and Mr. Short talked. Their voices echoed across the cavern and Tirfendiel was left alone holding his sword trying not to shake it. He hadn’t meant to cause trouble, and he certainly had not meant to bring everyone down to that cavern to begin with. He had hoped to figure out what was controlling the weird behavior of the goblins, who were usually not hostile and left other creatures alone. Now they were violent, and it didn’t make sense. His plan had not worked and had almost gotten everyone killed. The idea had seemed better in his head than the reality, because if he hadn’t acted on it, they wouldn’t be in the cave to begin with. But on the other hand what would have happened if he had not led them into the cave? He wasn’t sure. He fingered a strand of his black hair, and looked over at Gletta and Mr. Short, perhaps he could prove that his ideas could work after all. He had plenty of ideas for how to get out of here, most of them he was sure would work. Gletta and Mr. Short seemed to be deep in conversation, but he didn’t mind interrupting them. They were probably talking about something boring like the polite way to eat at the table, or why he shouldn’t have come on the adventure to begin with. After all, Gletta had taken a liking the halfling, he had not however… 


“This sword…” she said, lifting up her own sword, which had a spiky scabbard for its protection. Gletta said it was to fend off monsters from taking it, but really it was used so Tirfendiel didn’t try to steal her sword as he did when he was younger “…was used in a battle long ago to fend off—“ 


“I have an idea!” Tirfendiel interrupted, seeming to have missed what Gletta and Mr. Short were even talking about. 


Gletta and Mr. Short looked over at Tirfendiel. The look on their faces wasn’t a very good one, it was a cross between a warrior about to rush into battle and an annoyed sibling. 


“Yes?” asked Gletta, pulling herself together, deciding that it was probably better to listen to Tirfendiel, even if it was his idea that got them here to begin with. 


“Well…” said Tirfendiel, “…You know Ariel always contacts spirts when we are in a time of need?” 


“Yes.” nodded Gletta, hoping that this would go somewhere and not verge into trying to find Ariel who at the moment was missing, and have them begin calling her name to an intolerable extent. 


“I was thinking…” said Tirfendiel, “…there are actually some bones lying around the cavern, which you both seemed to not notice.” He beamed a little at being the only one who noticed them. He was the only one who felt pride at seeing the bones lying around in the cavern, everyone else looked dismayed.

 

“So?” 


“So, if there are bones lying around there is sure to be a ghost…of sorts.” 


“But how big are the bones?” asked Mr. Short. 


However his question was heard as Tirfendiel interrupted, “So I thought, you know, Ariel does a seance every now and then, and I thought ‘why don’t we?’ do it alone and all…so, perhaps we could all try to contact whatever spirit may be lying around in this cavern…” 


“Lying around?” muttered Mr. Short. 


“Or floating around, whatever spirits do for fun.” said Tirfendiel, who had decided that some spirits probably jousted for fun, or did some sort of sport-like tournament. “Shall we do it?” 


Gletta and Mr. Short were silent, they didn’t speak a word, which caused Tirfendiel to let out a frustrated groan, “Shall we do it?” 


“Yes, YES!” exclaimed Gletta. 


“Good.” muttered Tirfendiel. He slowly and dramatically sat down on the ground and held his hands out for Gletta and Mr. Short to hold. Gletta and Mr. Short, who had been very upset that their conversation had been interrupted, and were now even more upset that they had to perform a seance without the assistance of their beloved Ariel, grabbed onto Tirfendiel’s hands. Both Mr. Short and Gletta held hands. Tirfendiel closed his eyes and muttered words that Ariel had said many times before with a few adjustments, “I suggest you don’t leave the circle, I don’t know why exactly that is a rule, but the circle is protected because we are all holding hands, so I suppose something bad will befall you if you leave…” 


“I know, I know…” muttered Gletta. 


“And if you sneeze, perhaps try grabbing Mr. Short’s pocket handkerchief with your foot, so you don’t leave the circle, and die…” 


“Ariel never said you would die—“ 


“—but she never got into the details…anyway, spirts, or spirit who dwells in this cavern, please come to us…come to us!” Tirfendiel paused. Did Ariel usually say anything else besides talking directly to the spirits? He couldn’t remember, but he continued headlong into it, “Spirit or spirits, we really need your help as we are really nice elves—“ 


“And halflings.” 


“Two elves and a halfling.” he added on, “and I suggest for members of this seance, do not speak unless you want to be dragged headlong by a spirit to your death—“ 


“I know Ariel never said that!” replied Gletta. 


“Gletta, do you really want to die? Anyway, spirits despite the other rather boisterous people around me, I am a safe person, so…speak through me!” 


The cavern was silent for a moment, there was nothing to be heard but the breathing of the members of the seance as they waited for something to happen. Then there came a soft sound of foot-steps, was it foot-steps? Tirfendiel wasn’t entirely sure, but it seemed to be coming closer whatever it was. Hopping even closer, he felt a cold feeling around him, like a new energy had leapt onto his shoulder. He felt the touch of something against his hands and then whatever it was came towards his mouth. He felt energy go all along through his body, but this energy felt very hyper, and not like what he imagined most of the ghosts were like. 


He felt his mouth open this time against his will— “Humans, do you really wish to disturb my peace?” The voice echoed from inside Tirfendiel’s mouth. It sounded like a squirrel would sound, if it could speak in their tongue, 

I’ve lived for so many years in this cavern, after one of your hunters chased me here.” 


“Tirfendiel is this a joke?” asked Gletta. She almost releasing her hand from the circle, but Mr. Short grabbed more tightly onto hers. He had taken Tirfendiel’s joking warning very seriously, perhaps a little too seriously, 

“And, I watch you now with bows running around and fighting in battles hoping to die in battle, die a glorious death! Well, it is not quite fair that we squirrels don’t get that. We are shot with no fight whatsoever, it is not so glorious, is it?” 


“Tirfendiel?” shouted Gletta. The figure, who appeared to be Tirfendiel looked over at her. His eyes were wider than usual and his nose was twitching more than usual.

 

Oh, you mean that human? He’s still in here. Don’t worry, but you humans most know—“ 


“We aren’t humans!” exclaimed Gletta, “Me and my brother, who you are holding captive right now, are elves. I am an elf, and Mr. Short is a halfing.” 


You all look like humans to me. As I was saying I was left without a glorious death, no fights, whatsoever, just a gloomy death. But, your brother requested assistance to get out of the cavern?” 


“Yes.” replied Gletta. 


I have been stuck here, for years and years, and there is no way out. Food will run out for you soon enough—“ 


Mr. Short gulped, he hated those six words… 


And then it will start getting dark and cold, you three warriors will meet a non-glorious death like me!” The energy that had been trapped in Tirfendiel’s body slowly began to move out, and he felt himself coming in control again. He blinked for a few moments and then looked over at Gletta and Mr. Short. He cleared his throat, and then cheerfully said, “How did that go?” 


Gletta and Mr. Short looked at one another, the answer was terrible. When Ariel had contacted spirits, they usually weren’t animals, and usually they didn’t talk about how they hadn’t met a glorious death. Usually the spirits offered words of wisdom to help them on their journey. But all the only information they had gotten was that they were likely to die alone in the cavern and soon would come to be with that angry squirrel spirit. This was not a comfortable thought. 


“Terrible.” said Mr. Short.

 

Gletta nodded her head, “I hate to agree, but yes, it was terrible.” 


“But why?” asked Tirfendiel. 


“Ariel thinks about it before she contacts some random spirit, and most of all she isn’t an amateur. She has been contacting spirits for years and years, and you…thought it might be fun to do five seconds ago—“ 


“Five minutes—“ 


“Whichever! I am sure that if Ariel was here, she could teach you how to do it correctly!” There was a silence, no one in the group had any desire to talk about Ariel. They didn’t know what happened to her, or if she was alright. Gletta, feeling guilty, sighed and looked over at Tirfendiel, “Sorry.”


“Well, since that idea didn’t work...” said Tirfendiel, awkwardly trying to make the situation better. It didn’t help much. Gletta looked down at the floor, and Mr. Short looked in the other direction, “I have a second idea, we could contact the god of war, and have an army help us out—“ 


“Wouldn’t you be praying for a war?” asked Mr. Short. 


“Well, yes.” replied Tirfendiel. 


“How do we know that the army wouldn’t kill us—“


“I haven't figured that part out.” 


“That seems very unwise!” both Mr. Short and Gletta exclaimed.

 

Tirfendiel sighed, “Idea three...” Tirfendiel picked up his glowing green sword. He bent down to the ground and carefully picked up a small rock which was lying on the cold stone floor, and then went down on hands and knees placed the sword on the rock, “I use a catapult to get out of here—“ he placed a pebble on the sword and launched it. It flew through the air and seemed like it was going to make a wonderful landing— 


“Ow!” muttered Gletta, as the pebble hit her smack in the face, “Tirfendiel, you could knock someone’s eye out with that!” 


Tirfendiel groaned, “Well, you see that was not the end goal. I wasn’t planning to knock any of your eyes out, but I was thinking if we found some wood, we could create a huge catapult and catapult ourselves out—“

 

“And do you see any wood?” asked Gletta, looking around the dimly lit cavern, she had seen no wood or even bones when she first walked in, but perhaps Tirfendiel had noticed something that neither of them had. 


“Well…no.” replied Tirfendiel. “But I was thinking, we could tie all our bows together and create one.” 


“We only have two bows.” replied Gletta. 


“Yes…but—“ 


“Therefore how on earth do we catapult ourselves out? And through what hole?” asked Gletta. 


“…Um…I didn’t really think about it that much.” replied Tirfendiel, realizing that he hadn’t thought that much about his other ideas either, which wasn’t exactly a good thing. 


“Tirfendiel.” replied Mr. Short, “Really, I don’t know how your idea is going to get us out of here—“ 


“I don’t know either…” replied Gletta. “…and I am quite worried some of these ideas will have a terrible end…”


“It’s not my fault that is how most of my ideas end…really, it is just fate that causes most of it, I blame fate!” Tirfendiel moved his hand angrily up at the sky, “And if it hadn’t been for fate, surely the seance would have worked, we would have wood, and the god of war would be more reliable…” he paced around, leaned his hand against the wall. He leaned back even further. He was very discontent, why had most of his plans not worked out? He still believed fate was the cause of most of it. A god must have written some terrible things about him and made it so his plans didn’t work out. He let out a groan, “It’s fate, it’s fate’s fault!” After he said that, he heard something, a cracking noise, a long cracking noise. He took a step away from the wall, part of the stone was moving, moving and making itself into a door form. 


“Oh, OH!” Both Gletta and Mr. Short stared with wide eyes at the door that had not been there before. It was now creating a gaping hole in the wall. 


“I…suppose fate created a way out!” he said, pointing over to the door rather clumsily, “shall we…go in?” 

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What are some of the wildest things your characters have done? And have your characters ever held a seance? (If so, then did they succeed in connecting with the spirits of the dead or did they just connect to a spirit of a squirrel like Tirfendiel?)
-Quinley 

Tuesday, October 13, 2020

|The Legend of Sleepy Hollow | Novella Review


I often have different stories that I come back to every once in a while. Sometimes they are ghost stories or stories that are in the genre Gothic. Some of the many the Gothic novels or novellas I find myself rereading again and again are: CoralineFrankenstein and The Legend of Sleepy Hollow.

Interestingly enough, the first thing that introduced me to Washington Irving's story was a play of the Legend of Sleepy Hollow performed by a local theatre. After coming out of an acting/improv class I was looking at the posters hanging on the wall outside the classroom when I saw one for a play called The Legend of Sleepy Hollow. The poster had an eerie feel to it and I was intrigued. I then decided that I was going to go see it, and I did. I was amazed afterwards that the ending had surprised me and left me thinking. The performance of the actor, who had played Ichabod, would influence the way I perceived the character in the future. I related in a weird way to his version of Ichabod, and if he happens to be reading my blog post right now, I would like to thank him for introducing me to this story.  I have kept the poster from that show to this very day, I have it in one of my old writing note-books as it brings back fond memories.

Afterwards, I decided I would check out the book. I read it once and I got the exact same feelings that I did from the play, and so I reread it and reread it over and over again...




and now I've read the Legend of Sleepy Hollow thirteen times (at least that is what I think). I put in a random number because I forgot how many times I have read it, because I read it a lot.  Either way Ichabod Crane would very much be freaking out by the unlucky number thirteen, especially since it would involve him. You probably already know I enjoy this book a lot, and this review will give you the reasons why I ended up reading it an unlucky number of times! 

The Review 

Irving in writing this book combines a mixture of the Gothic and satire. There is no dialogue in the story, because it is told the way that a storyteller would tell a tale around a campfire, or even how a historian, who was not there to witness it, would have told it. At the beginning we are introduced to the character of Ichabod Crane and to Sleepy Hollow itself. The hollow is introduced in a mysterious way for it is haunted and something is causing the drowsy feeling that come over people when they enter it. The narrator even remarks "the place still continues under the sway of some witching power that holds a spell over the minds of the good people." (32) As for Ichabod's entrance it is a satirical one, which still manages to keep in tone with that of the gothic atmosphere and somehow doesn't feel out of place. Ichabod is unusual in appearance and "one might have mistaken him for a genius of famine descending upon the earth, or some scarecrow eloped from the cornfield." (35) The narrator then proceeds to insult Ichabod throughout the story, while also mentioning that he is the hero of a romantic tale. 


The Gothic genre is often paired with the romance genre, because it has tragic heroes. For Ichabod that really isn't the case. He is tragic in a self-indulgent way, but not a tragic hero with any ties to a Byronic past. 
In a very storyteller-like fashion we are introduced to the Headless Horseman (or the Galloping Hessian) who had his head knocked off by a canon ball. The Headless Horseman has often been portrayed in modern media as cutting off people's heads left and right. While we don't know that didn't happen to Ichabod, the townsfolk are never necessarily plagued by the fear that they might be next. Instead they live with the Horseman as a legend that is retold at parties. The story has its own eeriness, which is further embellished by the encounters some townsfolk say they have had with the Horseman, barely getting away with their lives. 



(Image from wikipedia, https://en.wikipedia.org/wiki/Headless_Horseman#/media/File:John_Quidor_-_The_Headless_Horseman_Pursuing_Ichabod_Crane_-_Google_Art_Project.jpg 

The Headless Horseman is believed to be based on a lot of different historical events and legends. One inspiration is believed to be the legend of the Irish Dullahan, about a headless horseman and sometimes even a headless horse. It is believed that "Irving took the concept of the Dullahan and added elements that would be more frightening for his target audience, Americans. Irving uses the name of an actual town in the United States and his villain is called the "Galloping Hessian"-- a reference to the real German soldiers hired by the British to fight in the Revolutionary War known for their extreme violence." -- Dr. Emily Zarka, The Original Headless Horseman. Many movie adaptations show the Horseman holding a pumpkin as he rides, but the original text doesn't mention this. Irving's Horseman won't slash your eyes out, but it does seem to have an uncanny resemblance to the Dullahan. As Irving wrote, "[Ichabod's] horror was more increased on observing that the head, which should have rested on [the horseman's] shoulders was carried before him on the pommel of his saddle." (69)  In Irving's story, a pumpkin is not seen until the end, when shards of a pumpkin are found sitting next to the schoolmaster's hat.  It is also believed Irving was inspired by a battle from the Revolutionary War, for it is documented that there was indeed a Hessian who lost his head to a cannon ball. Roger Lucklurst wrote in his article that at "the Battle of White Plains, the British commanders sent forward their Hessian horsemen – merciless German mercenaries with a fearful reputation. On virtually the first cannon fusillade, one of these mercenaries had his head shot off. He was hastily buried in the churchyard of Sleepy Hollow, since the Dutch church had a feel of the homeland." - The Horror of the Headless Horseman.  Because the readers of Irving's novella would understand and relate to this event in American history, this would add to their fear of the Horseman.  
The last part of the book is even more interesting and mysterious to read, because of the additional elements of history and legend that Irving brings into his stories. Like a ghost story around the campfire, Irving leaves the end ambiguous. I often hear people express disappointment upon picking up this book, or even decide to turn away from it because the story might be gory or even brutal. However, what is scary about this book is where your imagination can take you, not what the Headless Horseman actually does to Ichabod, because we don't know, it is left unanswered. And it is perfectly deliciously spooky left that way. We don't need the Headless Horseman chopping off people's heads left and right in order for it to be scary. Not knowing what the Headless Horseman actually does is scarier, I mean they are so many possibilities. If we actually found out what happened to Ichabod, would the story still hold the same mysteries and even eeriness? I think not. Your imagination can do powerful things and Irving tapped into how it could be used to scare you. And the unknown, as we know very well at this moment, is very scary on its own, because you never known what will happen or what indeed has happened.
If we are going to focus on something else, rather than Ichabod's disappearance, we should focus on the satire of the story. The narrator is firmly not in favor of Ichabod, despite calling him a romantic hero for the story. The subplot while still managing to keep the eerie feeling of the hollow itself, does have a humorous take on the romantic side of things, if we are to call it that. The romance all and all is not taken very seriously by the narrator.




(Image from wikipedia, 
https://commons.wikimedia.org/w/index.php?title=Special:Search&limit=50&offset=0&ns0=1&ns6=1&ns12=1&ns14=1&ns100=1&ns106=1&search=the+legend+of+sleepy+hollow&advancedSearch-current=%7B%7D#/media/File:Washington_Irving's_Illustrations_of_the_Legend_of_Sleepy_Hollow,_Designed_and_Etched_by_F.O.C._Darley_for_the_Members_of_the_American_Art_Union,_1850_MET_MM89542.jpg)

For example, the main character has been named "Ichabod" which means "No Glory," perhaps foreshadowing what will happen to him in the future. The narrator delights in contrasting Ichabod's "quest" in wooing Katrina Van Tassel with the knights of yore and many romantic heroes. His "only study was how to gain the affections of the peerless daughter of Van Tassel. In this enterprise, however, he had more real difficulties than generally fell to the lot of knight-errant of Yore, who seldom had anything but giants, enchanters, fiery dragons, and suchlike easily conquered adversaries to contend with." (46) Ichabod has to deal with others issues which are of far less epic proportions (even if he views himself as an epic hero).  One of which is Brom "Bones" and the fact that Brom likes to play tricks on Ichabod to sabotage any relationship he may have Katrina Van Tassel. And it isn't quite as fair a competition as one may think. Brom decides to play some immature and unfair tricks on Ichabod, such as training a dog to bark whenever Ichabod is teaching singing lessons, or stuffing up Ichabod's chimney in the schoolhouse causing the schoolhouse to be filled with smoke.

The satire comes out the most during the times when Ichabod and Brom are fighting over who has the right to Katrina's hand in marriage. She has a lot of money, and both of them would gain a lot in marrying her. However, even when it seems like Ichabod might win this battle of sorts, the narrator is taking the time to describe how badly Ichabod dances, "Ichabod prided himself upon his dancing as much as upon his vocal powers. Not a limb, not a fibre about him was idle; and to have seen his loosely hung frame in full motion, clattering about the room, you would have thought Saint Vitus himself, the blessed patron of dance, was figuring before you in person." (59) The narrator delights in making Ichabod take on the persona of a fool in situations where it seems Ichabod has gotten higher ground. Even when Ichabod wins, he never actually does.


(Image from wikipedia, 
https://commons.wikimedia.org/w/index.php?title=Special:Search&limit=50&offset=0&ns0=1&ns6=1&ns12=1&ns14=1&ns100=1&ns106=1&search=the+legend+of+sleepy+hollow&advancedSearch-current=%7B%7D#/media/File:Washington_Irving's_Illustrations_of_the_Legend_of_Sleepy_Hollow,_Designed_and_Etched_by_F.O.C._Darley_for_the_Members_of_the_American_Art_Union,_1850_MET_MM89543.jpg)


When Ichabod is not trying to woo Katrina he is often spending time with the women of the village talking about gossip and telling ghost stories. By doing this Irving brought the familiarness of the town to life. That the town is alive in not only the horrors of the night, but alive in the way that everyone in the town seems to know each other and delight in the gossip spread around, adds a richer atmosphere. Ichabod is never exactly free from gossip ever, and even when he vanishes he becomes firmly a part of the town gossip and is even turned into a ghost story in his own right.



(Image from wikipedia, https://en.wikipedia.org/wiki/Ichabod_Crane#/media/File:What_fearful_shapes_and_shadows_beset_his_path_-_The_Legend_of_Sleepy_Hollow_(1899),_frontispiece_-_BL.jpg) 

I have often see portrayals of Ichabod where he is presented as silly and scared, scared enough that he doesn't even want to come across a ghost, but that is not the case. Always when people read ghost stories or listen to ghost stories there is a small part of them that actually want to come across this apparition to experience it. I must say he is not alone in that, because I sometimes imagine what it would be like to come across an apparition, and if it ever happened what I would do. While Ichabod is superstitious, a part of him also delights in the supernatural. During his walks home he half-expects to come across the Galloping Hessian upon his path. Ichabod would "look over his shoulder, lest he should some uncouth being trampling close behind him. And how often was he thrown into complete dismay by some rushing blast, howling amongst the trees, in the idea that it was the Galloping Hessian on one of his nightly scourings!" (41) And while he might have been frightened, he is interestingly frightened in a way that he desires to be scared by it, and perhaps have a new story to share with the townsfolk. When the Galloping Hessian isn't there, he is rather disappointed that it wasn't who he thought it was going to be.
Despite The Legend of Sleepy Hollow being written as a satire, where things tend to be over-exaggerated and sometimes too comical to seem real, I often felt like the characters are real people and not comical archetypes. Irving creates characters that show an interesting side of human nature. The complexity of the story, is perhaps why it is so hard to make a good film version of it. The novella lives between comical and realistic and is stuck firmly in between the two. Disney decided to go with the extremely satirical route in their animated movie, but it took the scare and atmosphere out of the story. Other versions have sometimes gotten it more balanced, but couldn't figure out how to keep the humor present while telling a ghost story.
Somehow The Legend of Sleepy Hollow manages to be in the middle between two genres and seemingly maintains the satire and humor, while also telling a story that is going to give you chills. Even during the scariest part of the book, Irving puts a bit of humor in. And I tend to notice that depending on how you read it, the atmosphere and the scary elements can be the most present or the satire can be, or it can even be a blend of both. It really depends how you read it. This is even why in writing this review I feel like I'm not deciding what part of the story I should focus on, because both the satire and the atmosphere of The Legend of Sleepy Hollow are present in the story, it just depends on where you look.


                            My overall rating: 


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Have you read The Legend of Sleepy Hollow? If so what do you think really happened to Ichabod Crane? 
-Quinley